18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Text-to-video and image-to-video starting from your stills. One movement per clip; price by duration and resolution, read out before the job.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Video is the longest and costliest request at this desk, so it is planned like one. The dependable order of service is stills first — a frame that is already on character and already judged — and then a single movement laid over it. For a scene that exists nowhere yet, a text brief can carry the same guest card your stills use, so the woman in motion is recognisably the woman in the day book. Pricing follows duration and resolution, is calculated on the job itself, and is read out in full at the desk before you confirm. A failed render refunds itself, like every failed request in this house.
Image-to-video inherits the guest, the outfit and the room from its first frame. It is the cheapest consistency in the house, and the calmest way to ask.
A turn toward the window light. A slow walk across the lobby. One movement, camera held steady. Choreography smears across frames; a single gesture renders clean and loops gracefully.
Decide where the clip will live before it is rendered. A feed teaser and a store piece are different requests, and rendering the maximum of everything is how a daily budget quietly doubles.
The strongest frame of the week, given a few seconds of life to draw a viewer toward the full set.
One clean repeating gesture that reads at thumbnail size and survives platform compression.
Longer takes briefed from the same guest card as the stills beside them, so nothing feels cast twice.
“She turns slowly toward the arched window and looks out over the morning street, hair lifting a little in the breeze from the door, camera still.”
One movement for the guest, none for the camera. The first frame already decided everything else, so the brief only directs the motion.
“Fictional 34-year-old woman, glossy auburn hair in a vintage victory-roll updo, emerald satin backless halter negligee, crossing an ivory marble hotel lobby toward camera in the morning, unhurried, cinematic.”
The guest card travels into the clip brief word for word, so the woman in motion is the woman in the stills.
| Lever | Effect on price | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds of motion |
| Resolution | Higher costs more | Render at the destination’s measure; upscale a winner later |
| Retries | Each render is a job | Correct the brief or the first frame before asking again |
By duration and resolution, calculated on the job and shown before you confirm it. Nothing is charged in the dark, and a failed render refunds automatically.
Image-to-video for series work, because the first frame carries the guest with it. Text-to-video suits standalone scenes and first experiments with a new character.
Yes, with two habits: start from series stills, and carry the guest card into text briefs word for word.
Usually too much is asked of one request — several movements, a travelling camera, a crowded room. One movement, a steady camera and an uncluttered space is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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